Howard Snell Music

Howard Snell

Solo Music with Band Accompaniment

TitleComposerScoringPrice
AndaluciaGranados, E.Flugel Horn in Bb£27.50
Après un rêveFaur', G.Cornet in Bb£27.50
Black & White RagBotsford, J.Xylophone Duet£27.50
Clock with the Dresden Figures, The (*)Ketelby, A.Percussion Trio£42.50
ConcertoBellini, G.Soprano Cornet or Horn (in Eb)£27.50
Duet for Two CatsRossini, G.Cornet & Trombone in Bb£27.50
Eighteenth (18th) VariationRachmaninov, S.Soprano Cornet in Eb£27.50
ElegyShostakovitch, D.Soprano Cornet in Eb£27.50
FantasyH. SnellCornet in Bb£27.50
Flower Song, The (Carmen)Bizet. G,Euphonium in Bb£27.50
Girl with the Flaxen Hair, TheDebussy, C.Cornet in Bb£27.50
Gypsy Airs (Zigeunerweisen)Sarasate, P.Cornet in Bb£27.50
Hail! Ancient Walls (Faust)Gounod, C.Euphonium in Bb£27.50
Hejre Kati ! (Hi, Katy !)Hubay, V.Cornet in Bb£27.50
Londonderry AirTraditional IrishTrombone in Bb£27.50
Love's Old Sweet SongMolloy, M.Flugel Horn in Bb£27.50
Mango WalkH. SnellPercussion Trio£27.50
Minute Waltz, TheChopin, F.Cornet in Bb£27.50
Moto PerpetuoH. SnellEuphonium Duo in Bb£27.50
Musetta's Waltz Song (La Bohème)Puccini, GCornet in Bb£27.50
Nessun DormaPuccini, GCornet in Bb£27.50
Nightingale Sang in Berkeley Square, A (*)Sherwin & StracheyTrombone in Bb£42.50
OrationH. SnellEuphonium in Bb£27.50
Pavane for a Dead Princess (Horn Solo)Ravel, M.Horn in Eb£27.50
PoèmeFibich, Z.Flugel Horn in Bb£27.50
Salut d'AmourElgar, E.Cornet in Bb£27.50
SicilienneParadies, M.Baritone in Bb£27.50
Spinning SongMendelssohn, F.Xylophone Solo£27.50
SummertimeGershwin, G.Soprano Cornet in Eb£27.50
Swan, TheSaint-Sa'ns, C.Euphonium in Bb£27.50
TangoAlbeniz, I.Cornet in Bb Quartet£27.50
Tea for Two (Trio) (*)Youmans, V.Percussion Trio£42.50
Variations on 'Drink to me only'H. SnellEuphonium in Bb£27.50
XylophoniaGreen, J.Xylophone Solo£27.50

Quite a number of these solos have entered the mainstream of brass band concert repertoire and are holding their place there. Many of them are matched by piano accompaniment versions.

One of the amusements of being an arranger/composer/publisher is that, from time to time, a little solo piece that has never had any interest shown in it, suddenly starts to sell and shows up as having been performed here and there and, if not very often, everywhere. Like little ugly ducklings they can suddenly become swans when someone discovers them!

It also gives me rather special memories of the soloists, many of them great artists, who gave the premières or who gave notable performances.